The 5th Wave

We watched The 5th Wave last night.  I recalled being mildly interested in it from the previews, but then when I saw the ratings it had garnered I quickly quashed any sort of optimism.  I was still curious though, and we were also mildly drunk, so it seemed like a good time to see what was up.

Rather than create a formal review of this movie, I think it will be more appropriate to transcribe the intoxicated messages I sent to my friend while watching it.  Enjoy.

[Warning: Spoilers.  But you shouldn’t care because this will be more entertaining than the movie.]

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We are watching the fifth wave which has a whopping 5.2 on IMDb.
So far not bad but she just used her cell phone and typed y o u and it autocorrected to “u”

>:( One star.

Husband asked for a space marine movie before we picked this.
Me: “They’re basically space marines but they’re children is all.”
Him: “Not very good space marines. Also they’re not in space.”
Me: “But they’re fighting aliens!”
Him: “It’s really not the same.”

Female protagonist has been helped/captured by hunky male now. She just did the lip thing that suggests she wants to fuck him. Odds of hunky male being an alien??!?

Husband and I are laying bets on his alienness now

He’s is totes an alien and she’s going to fall in love with him and be horrified by herself and then come around. Book it
(AFTERMATH SPOILERS: I was wrong.  It actually kinda happens the other way around which makes even less goddamn sense)

Husband doesn’t think he’s an alien because he hid her from alien drones. That was the whole point to make her trust him YOU FOOL

Female protagonist shows loving nurturing side while proclaiming “I’m not TOUGH, okay??!?”.  Meanwhile second female character (only other one in movie) is being super badass and beating up all the males and training them to use weapons because she’s a girl but also super badass you see

He is lovingly tending to her wounds. Boning imminent.

Oh man I didn’t even get to hit send before they started shoving tongue down each other’s throats

He’s gonna be an alien he totally is

Husband: “I’m giving this movie a lot more credit than you are. He’s not an alien. They just want you to THINK he’s an alien.”
Me: “There’s a reason this movie has such low ratings.”

“I guess you were right. He’s an alien.”

I WIN.

It was pretty obvious because this is LITERALLY Twilight with aliens now

Female protagonist: “Did you really believe that??!?”
Alien love interest: “I did. But then I saw you.”

*Hurk*

Holy shit this has lost so many stars in like the last 20 seconds

Badass girl is now saving “still badass but deliberately not as badass to still show her feminine side” girl

Yeah.  That was awful.

October 31st Movie Reviews

I didn’t want to say ‘Halloween movies’ since none of them were even remotely halloween themed aside from being some sort of attempt at scary, but it’s a halloween tradition here to plunk on the couch and watch ‘scary’ movies after dark, and we made it through three of them last night.  Here’s the good, the bad, and the ugly.

Last Shift
Rookie cop spends the night alone at an old police station guarding some evidence that still needs to be transported to the new one.

See, the description for this movie was all “She meets the KING OF HELL” and I was like “this is going to be a laugh riot of a movie”, but it ended up being the best one we watched.  It does absolutely nothing new or unique; it’s all standard haunted house tricks.  The protagonist is so god damn stupid that you spend the entire movie yelling at her not to do things (but, y’know, horror movie.)  But the movie itself sets up a good amount of tension and uses sound and visuals well to set the tone.  The King Of Hell thing is not nearly as cheesy as the stupid description might have you believe.

We Are Still Here
An older couple lose their college-age son to a car accident and buy a new house to start a new life as they pick up the pieces.  Once they move in, they start to suspect the ghost of their son is still with them.

Not bad but it suffered a bit because it came after watching the much better first movie, so it paled in comparison.  Another pretty standard haunted house story, but with a few twists to keep it interesting.  I found it a little confusing though, too.  The ghosts really needed to make up their god damn mind about who’s side they were on.

Storage 24
A plane crash nearby traps several people inside a storage facility, and soon they discover the plane was carrying some deadly alien cargo that is now stalking them.

Okay, THIS is the movie I wanted to write bitch about because I spent the whole movie sending snarky texts to my friend, and it’s absolutely not because we watched some better movies first.  Needed MUCH LESS relationship drama and MUCH MORE aliens eating people.  Could you possibly write less sympathetic protagonists?  I was rooting for the alien really early on and it just kept disappointing me.

Here’s an ending spoiler, which you can avoid if you care (you shouldn’t care.  Don’t watch this movie.):
The whiniest fucker takes on a Gary-Stu style survival skills and ends up escaping the alien on, like, three different occasions for no god damn acceptable reason (camera cut!  Oh no he must be dead boo hoo ooohhhh look he lived how could this be!  Fuck off) and then slays the alien with his bare hands and escapes with all of the females.

At this point I sent a message to my friend saying “This movie will get two stars instead of one if the alien resurrects and pops out and kills them all right fucking now and that’s how the movie ends.”  Instead of that, though, he makes some flippant remarks to show how cool he is, and then they pan out to show alien ships landing all around the city.  Which is ALMOST, but not quite, what I asked for.  Okay sure the aliens are probably going to kill everyone but you didn’t show one blowing up this whiny fucker as it buzzed past, so now we can only assume he will run out there and melee all of them to death like the whiny badass he obviously is.  *BZZZT* you fail, collect 0 stars.

So, to summarize:
Last Shift was great and I recommend it, even if the protagonist is as smart as a bag of bricks.
We Are Still Here was passable and worth a look.
Storage 24 is a horror movie for an entirely different reason and thank god Netflix subscriptions essentially mean I watched it for ‘free’.  Bitching about it was highly entertaining, at least!

Parallels

We clicked on “Parallels” almost entirely at random, with only Netflix’s flawed prediction algorithm to guide us. Our decision process went something like: “It’s sci-fi, it involves parallel Earths, eh why not.”

The description for the movie literally says “follows a band of people across parallel Earths” and it is named “Parallels”  so imagine my confusion when the movie seemed to spend the first third of its run-time bringing the characters to the realization that, hey, this might be a parallel earth, guys.  Like, fuck the exposition was so fucking slow my god.  This is one of those movies where you’re yelling at the TV because it’s not well written. First we have the obligatory scene where all the characters meet up, but they all know each other, but oops the audience doesn’t know them so let’s throw in some bullshit reason that they all need to explain to each other who they are, just to bring the audience into the loop.  *dust hands* problem solved!  Okay now we know who the characters are, even if that was awkward as fuck.  NOW let’s spend 45 minutes having them figure out the basic plot of the movie.  Good job team!  We only need to fill like, 20 more minutes and we’re done!

I often find the emails I send while in a drunken rage while watching a movie are the best indication of how much I enjoyed the movie. This is literally the email I sent to my friend while watching it:
“The premise of the movie is that they are travelling to other versions of Earth, and then they encounter some graffiti describing alternate earths. Then they accidentally travel to an alternate earth and THEN.  THEN they spend 15 minutes figuring out amongst themselves that this might be an alternate earth.  GOOD JOB GUYS.”

Then I sent this one:
“The rebel loner guy is named “Ronin”.  At least it’s not “Cypher Raige” I guess.”

Then we ran into “obligatory hot Asian chick” and it was facepalms all around.  But, ironically, the plot started getting better after that.

BUT not better enough.  JUST as we got to the part where it was actually getting interesting and telling us something we didn’t know from the god damn movie description, it…………………… ended.

My husband said “That wasn’t a movie, that was a TV series.  You read it wrong when you clicked on it.”  and I said “No, it was DEFINITELY a movie.”  “No, that was DEFINITELY a TV series and you should find the next episode.”

So I did what any reasonable person would do, and I Googled it.  He wasn’t wrong!

Parallels was created as a television pilot, but Fox Digital Studios morphed it into a stand-alone movie”

Mother. Fucking. Fox. Studios.

And then I found this one:
Parallels is a 2015 American science-fiction adventure film and possible pilot”
Which is like… hahahahaha ‘possible pilot’ INDEED.

Anyway.  Long story short: do not waste your time.  It’s only barely interesting as a premise, and you can learn everything you need to know from the description.  If it does make it to full blown TV status it’s probably going to suck anyway.  There are a large number of bad movies on Netflix that I endorse because the monthly fee removes all of the guilt you may incur from having watched it… but they should excise this shit from it immediately.

Snowpiercer

What an absolutely ludicrous plot.  Why was it so enjoyable…

I feel like I was actively trying to dislike it, and I kept forgetting why I was trying to dislike it.  I had a laundry list of criticisms and I can barely remember them all the next day.

Here’s the premise:  Global warming is out of control, so someone develops a way to slow it down.  We release shit into the atmosphere and it results in dropping Earth into a deep ice age.  Oops.

Everything living dies, except for a lucky group of people who happened to be on a really large train called the Snowpiercer that traverses the world precisely once per year (or maybe they re-engineered the length of years based on one traversal, I wasn’t entirely clear…).  There was a bit of explanation about the train but not nearly enough to explain how a world-traversing train was engineered to cross oceans and run perpetually with absolutely no external maintenance (of the train OR tracks…) in an atmosphere that is cold enough to completely freeze someone’s arm in 7 minutes… but apparently it runs happily for the next 18 years.  The people on the train develop a dystopian caste system based on their original tickets, with those in first class living in luxury and those in the tail section living in squalor.  First class regularly comes back to the tail to steal children and generally be dicks about everything.  The tail section get pissed and plan an uprising.

There’s a lot of really well done stuff in this movie.  The atmosphere is great, the acting is great, even the premise is interesting despite hurting your brain if you think about it too much.  It’s mostly the brain-hurting that drags the movie down – there are too many things that are convenient or casually brushed over because they cannot possibly be explained.  We’re presuming this train was already in motion before the world ended, right… because that’s how they survived.  It’s got aquarium ceiling-ed cars.   Like, okay so maybe it’s supposed to be super luxurious so they designed a train with that’s entirely an aquarium for both walls and ceiling in 2014, but… no.  I just can’t.  Where did they get the materials to build and maintain this shit?  Where did these translator things come from if the world ended?  Why do they only use the translator things half of the time yet still understand each other?!?? It’s in that uncomfortable sci-fi area where they want to be cool and unique, but it’s not a fantastical enough environment to pull it off comfortably and you need to turn your brain off to enjoy it.  But once you do that, it’s great.  Certainly above Elysium, at any rate.

Racing (but mostly ranting) (Subtitles and Tutorials rant)

This ostensibly began as a review of Dirt 3, but really I’ve played ~5 minutes or so and can’t really comment on the gameplay all that much.  This review will probably end up being something else altogether…

I recently went on a quest to find a decent PC racing game.  I love Gran Turismo and Forza and the like, but in order to play those I have to move to the couch, adjust the input on the TV to the appropriate console, find the controller, make sure the god damn disc is in the drive… I wanted to have something on my PC so I could be like “Hmm I want to race cars today” and click an exe and *poof*.

I picked up Test Drive Unlimited 2 in the winter sale on Steam and spent several mindboggling hours with it, marvelling at bad design decisions in controls and terrible voice acting during story cutscenes.  The story was added in to make it sorta-kinda like a Grand Theft Auto world, I presume, and the open world was kind of interesting to me, but the story was largely unnecessary and kind of dumb.  It didn’t add anything – the story is “you are a racer trying to make a name for yourself and become a champion”.  Well no shit, what else are you going to be doing in a racing game?  I suppose there could have been curveballs later that make it pay off, but I gave up early for a couple of reasons.  1) The controls and UI were awful.  I could have gotten used to them but simply navigating menus was painful and that’s kind of a bad sign in a game that also expects you to have dedicated buttons for fucking turn signals and stuff.  2) There were no god damn subtitles.  I am not deaf, but I quite often have the sound low or off while other things happen in the room.  I also read a hell of a lot faster than you talk.  A racing game (particularly one with a terrible story) is a perfect place to buzz through the subtitles and advance the cutscenes to get back to actually racing cars like I wanted to do when I installed this damn thing.
If you’ve played Dirt 3 you probably know where I’m going next with this review…
Last but not least, 3) The game requires you to create a separate account to log into their servers (something that deserves its own rant entry in the age of Steam), even if you only intend to play single player.  Once you’ve done this, it sits there and connects to the server making absolutely sure there have been no updates.  Connecting to the server takes an abominable amount of time.  The last time I decided to give the game a whirl, it sat on connecting for about a minute, and then I shut it down and uninstalled the game instead of waiting for it to connect.  Sorry guys, this is the age of instant gratification, and you failed.  I could have gone to the couch and played Gran Turismo in that amount of time!

Then I picked up Dirt 3 in the Humble Weekly Sale.  It was a timely sale, coming immediately after I dumped TDU2 into the trash bin.  It was very promising – it’s not quite Gran Turismo but I like rally racing too, and the graphics are very shiny (which was another thing TDU2 didn’t really have going for it…).  It also starts up immediately instead of fucking around with servers for two minutes.  All thumbs up so far!
(Actually it required me to install GFWL despite GFWL being dead, so that was kind of a thumbs down… but they’re still in the process of excising that particular tumor so I let it go.)

I started out in Dirt 3 like I typically do – my headphones were plugged in but sitting on the desk beside me while I listened to something my husband was doing.  The game kept hanging on me and I couldn’t figure it out.  It was clearly still running but all the button mashing in the world wouldn’t work.  Finally the icons would highlight again and I could advance.  What the hell is going on here?  It cannot possibly be loading anything for that long.

Then I saw it.  A speaker icon in the bottom left corner.  Oh no.

I picked up my headphones and confirmed.  Yup, some douche is talking to me the whole time the game is “frozen”.  There are absolutely no subtitle options anywhere in the settings.  There are absolutely no ways to skip the dialogue.  What’s WORSE: the dialogue is basically “In this event you want to race your car around the track.  The goal is to come in first.  You come in first by racing your car around the track.  In order to race your car around the track, push the button that corresponds to the gas pedal!  Coming in first means you win the race.  You want to win the race – winning is the whole goal of the race.”

I want to strangle the entire design team responsible for this nightmare.  This unskippable, non-subtitled, redundant nightmare.

I have two rants here:
For one, they’re completely leaving deaf people in the cold.  You’d think you’d be safe playing a fucking racing game and not having to worry about missing dialogue even if the dickheads responsible for design neglect to include subtitles for you, but now you’re stuck staring at a completely fucking useless speaker icon for several minutes, while some douche explains that the point of this racing game is to race cars.  It’s infuriating to me and I have the option of actually listening to the fucker.  I can’t imagine how annoying it is if you’re literally just staring at the screen waiting for a chance to continue.

For two, I know how to play a god damn racing game, you ass.  I don’t begrudge the inclusion of some instructions, it just makes me angry that they are mandatory.  A friend of mine linked a blog entry that talked about design decisions in modern video games.  I remember the old days of wading into a new game, getting over my head, then referring to the manual to figure out how to play.  Manuals were exciting!  I still have my old NES manuals and they’re considered collectors items, and people know how to play those games!  Nowadays manuals are extinct (if you’re lucky you’ll get a slip of paper pointing out some of the controls).  Instead, gamers are treated like children who must have their hands held through mandatory tutorials, because god forbid they miss the tutorial and become confused.
And in Dirt 3, not only are there mandatory tutorials, but you can’t skip through the instructions.  Because god forbid you accidentally hit a button and miss the instructions that the goal of the race is to come in first.

It really is happening more and more.  Think of a game you’ve played recently that didn’t have a shoe-horned tutorial in it.

Some games pull it off smoothly – Anno 2070’s campaign is literally all tutorial, progressing slowly from scenario to scenario until you’ve unlocked and used every feature in the game.  It makes sense from an in-game point of view, and introduces all the features to new players without any risk of overwhelming them.  It was mildly annoying to me because I played an unhealthy amount of Anno 1404, but you have the option of going straight to an open game if you want.  Of course, the achievements are to complete the tutorial err campaign to unlock more scenarios so you probably have to go do it at some point, and the longer you delay the more familiar you will be with any new game features and the more annoying it is to have them “taught” to you.

Some games literally will not let you play until you complete it.  Hearthstone annoyed the shit out of me by having an extremely limiting tutorial that was mandatory before you even got to look at the menu screens for regular game play. What’s worse, there were multiple scenarios that took about an hour to get through.  An hour before I could even enter the main game.  It was so linear that I literally could not play a card that it did not tell me to play.  The game only gave you the cards it wanted you to play, so you could just watch a video and have the same damn experience… but in one sequence they must have messed up because I actually had two cards I could have played.  I tried playing the other one, just to see if I could.  It lightly slapped my hand and said “nuh uh, you need to play THIS one.”  I tried just ending my turn rather than following directions (The Stanley Parable was made for people like me), and it incredulously exclaimed “But you still have a card you can play!  This one!  This one right here (not that one NO you can’t play THAT one didn’t you listen??)”  NOT playing the card was a completely valid strategy in that situation I will have you know.  But it wasn’t in the script, so I couldn’t proceed until I followed directions.  It was much like being in some sort of fascist regime and it made for a bitter and resentful start to my Hearthstone experience.
(Incidentally, Hearthstone ALSO had no subtitles, and I was all geared up to write a rant about that… but they patched them in the very day after I got into Beta.  Bullet dodged, Blizzard.  Bullet dodged.)

Look, I know there are stupid people out there who will smash the screen and then cry because nothing worked the way they expected to, but I’m getting very tired of having my intelligence insulted.  Bring back optional tutorials.  Bring back manuals with pretty artwork.  Bring back the ability to skip shit I don’t want to sit through.  If the gamers cannot understand how your game works, then one of two things has happened:  They did not read the instructions, or you created a game that’s hard to understand.  Neither of those things should be solved by enforced hand-holding that alienates the people who actually do understand how your game works.

Rebel Heart

Rebel Heart (Dust Lands, #2)Rebel Heart by Moira Young

My rating: 2 of 5 stars

I merely wanted this book to be adequate. I didn’t want something deep or meaningful, all it had to do was entertain me for the couple of hours it would take to burn through it.

It failed.

I enjoyed Blood Red Road enough that I sought out the next of the series instead of moving on to the next book in the pile. The first book had its issues, but I thought there was enough potential in the characterization and potential for interesting worldbuilding that I wanted to see where it would go next.

Full disclosure time: I am only halfway through Rebel Heart at the time of writing this. Not a god damn thing has happened yet and I’m seriously fed up. I want to finish it and see where it goes, but I’ve also avoided reading anything all weekend because I just can’t be bothered. That’s about where I usually give up on a book and move on to something that actually entertains me. I’m not sure what will happen… I may edit this review if I do slog on. We will see.

The first book impressed me by not making the romance the focal point. It didn’t get distracted with it like so many books do – the romance was just a thing that happened during the course of the adventure. In Rebel Heart, we start out with a little intro chapter starring Jack, who is carrying out his business as quickly as possible so he can get back to Saba as quickly as possible.
So now we know Jack’s inner thoughts and intentions, and we know 100% that he loves Saba and that’s his only real goal right now. Alrighty then.

Then we get punted back to Saba and company (and god awful first person again… The writing was so much better in Jack’s chapter where it used third person. It’s a shame, but I guess you have to experiment sometimes). Saba thinks about Jack. Saba wishes to see Jack again. Saba loves Jack. Saba briefly worries that Jack won’t return to her. Saba thinks about Jack. Saba wishes to see Jack. Tommo falls in love with Saba (WHAT. Oh of course he does because she is so amazing how silly of me. Ugh. Isn’t he like 9? I can’t tell if this is a failure to adequately describe a character in the first book, so we just assume he’s around Emmi’s age when he’s actually supposed to be ~15, or if it just means the series continues to completely fail at consistency in time passage and scale…). Saba continues to wish to see Jack. Saba loves Jack. Word gets back to them that Jack is running around with a group of bad guys. Saba’s world ends.

The whole thing was an infuriating waste of my time. Nothing happens for the whole first part of the book except thinking about Jack. There is no other plot. Then the “shocking news” comes along and we spend entirely too much time watching Saba wrestle with the news. Is Jack a traitor?? Does he not love her?? How could he?!? Saba refuses to believe it despite all the characters saying “I told you he couldn’t be trusted”, despite those characters agreeing that the “threat” Jack sent along to Saba just doesn’t sound like something he would say hmmmmm gosh I guess we really misjudged him we could never believe he’d say things like that! Saba makes the startling leap of logic that it is actually a coded message.
This is all a total waste of time because we, the readers, knew from the fucking prologue that Jack’s only real goal is to survive to see Saba again. You just wasted half a book to have Saba figure out something we already knew while everyone around her argues about it. It’s the worst kind of telling instead of showing… But I said that about Blood Red Road too didn’t I… Hmm.

I’m not even done bitching. We now have a plot (sort of… I mean its still the same plot of “must see Jack again”) so now Saba sets off to find him. We’ve spent half the book with no plot, and now the plot is pretty much exactly the same as Blood Red Road: an arbitrary time limit to travel an immense distance to find someone, except this time it’s less interesting. Saba even veers off deeper into Mary Sue territory by acquiring more animal companions and super abilities. I was almost really interested when she set off down the wraithway because the landscape was interesting, but it rehashes Blood Red Road again by pulling the trope of “I will sneak off when my friends are not looking because I do not want them to be put at risk because of me” and then oops all the animals she so carefully tied up just show up shortly thereafter and help protect her, and then there’s a whole sequence where she is running for her life and has a near escape only to realize what she escaped from was actually all of her friends who followed her. It would be fine, if it hadn’t happened in almost exactly the same way about four times over a book and a half. I’m not certain I can think of a near escape in this series that actually turned out to be something threatening.

And every time Lugh says anything I want to strangle him. Every line of dialogue he has makes me regret spending all that time reading the first book to save his negative ass. I think Nero is the only character I don’t hate right now. Oh I know it’s all going to turn into some sort of moral lesson about friendship and supportive relationships near the end of the book, and I’m actually interested to see how it unfolds (in terms of will it be done well or will it be a schadenfreude-laden trainwreck of writing mistakes?) but I might need to wait until I’m in a better mood to attempt to get there.

And there’s still no real plot.

I feel like I’m just about to get to a point where SOMETHING fucking happens, so I want to keep going, but… I don’t think I care anymore. Disappointing.

[edit] So yeah.  I woke up this morning and read some spoilers for the second half of the book.  She sleeps with the bad guy and has a pregnancy scare?  Holy what the fuck are you fucking kidding me?  I am retroactively regretting reading the first one, now.  I want post-apocalyptic dystopia, not “After School Special” soap opera.  A whirlwind of angst and melodrama and this is AFTER she was magically “cured” of her conveniently Hunger-Games-Like PTSD thanks to some shamanism.  I think I’m done with this :/

Splice

We watched this awhile ago, so my memory of details is probably fuzzy, but I remembered it recently and movies like this are exactly why I decided to start writing blog entries about shit.

Splice is a movie about scientists doing scientisty things and messing with DNA and trying to cure diseases.  Their research has led to the creation of an apparent new species of lifeform created by throwing buckets of animal DNA into a blender, so they’re starting to pick up some speed on the research front.  Then they “accidentally-on-purpose” mix a little human DNA into the recipe (something that is ethically forbidden and they know it) to try to create something that can be better used as a human analogue for testing.  What emerges is……. not human… but more animal like and difficult to control.  The first little bit of the film is spent exploring this thing, trying to gain its trust (apparently it’s a grouchy little thing), and marvelling at how it has an incredibly accelerated growth rate and is quickly growing and changing forms (thank goodness, since the movie is only 104 minutes long!).  Even though they planned to terminate it because they totally just wanted to see what happened and didn’t really plan to let this experiment run, well, whoops we’re kind of attached to it now so let’s let it keep maturing and see what happens!  What could go wrong!  The creature eventually develops into what is essentially a little human girl, except gone horribly wrong and with a tail and stuff.  The scientists then attempt to raise it like they would their child.  The lab/company is appropriately named NERD (I laughed), so they decide to name the creature “DREN” (I facepalmed).

The whole first part of the movie was actually really interesting and enjoyable.  Splice is really a shame because it was almost really good and even had some potential for exploring deep philosophical themes, if you should so desire to write it that way.  But then it was bad.  And it wasn’t just bad, it was really bad.

The movie goes through its paces and addresses a number of interesting scenarios that might arise if you happen to be dealing with a humanoid-thing-made-from-DNA-soup, including the inevitable look into a mirror where the creature realizes “hey, I don’t actually look anything like mom and dad.  What am I??” (well acted out with expressions, I might add, since the thing doesn’t have proper speech).  Sadly, it is at that point the writers either ran out of things to write about, or realized they were actually planning to make a horror movie, and everything just goes to shit.  The biggest shit the movie takes is the point where “Clive”, the male scientist, realizes the human DNA that was chucked into the soup is actually the DNA of his wife, and apparently sees some sort of resemblance to her in Dren.  His natural reaction at this point is, well, what else!  The only thing any rational person would do.  He has sex with it.

I’m pretty sure I yelled “Are you FUCKING KIDDING ME” at the TV.  But anyway, it turns out, when you have sex with a developing creature that’s trying to learn how to behave, it learns that it should rape everything!  So that was great.  Good job, Clive.

It just gets worse from there.  …No, I take that back, that’s definitely the worst part, but it doesn’t get any better from there.  The rest of the movie is your typical cheesy horror slasher movie with dumb “twists”.  Since the creatures have been created with a blend of animal DNA, it gave the writers free license to give them whatever animal abilities they wanted to swipe, at whatever time it was appropriate for the plot (and surprising to the scientists, of course, because you certainly wouldn’t have any way to control or monitor which genes your DNA soup is expressing when you’re at the point of being able to create a new species).  The initial “not made from human DNA” creatures provide the foreshadowing and then “Dren” goes through all the same paces, except much more tragically and deadly, since it is human sized and much stronger and deadlier (and also not in a safe little cage in a lab).  I don’t even remember what else happens.  It was all stupid and I was still reeling from the “It’s my wife’s DNA! I’m totally going to fuck it now” decision.

It was almost such a good movie.  I mean, not like, amazing or anything, but fully enjoyable.  And then…
My brain hurts.