Republic of Thieves

The Republic of Thieves (Gentleman Bastard, #3)The Republic of Thieves by Scott Lynch

My rating: 5 of 5 stars

I started late on the Gentleman Bastard journey (thankfully? Since the fourth book has apparently been delayed, which is unfortunate) and it’s been a bit of a rollercoaster. The first book was so full of promise—a few novice mistakes, but with characters so loveable that I couldn’t wait to see where the series went. The second was a disappointment, still full of promise but rushed and unpolished to an unfortunate degree. When I saw what a gap there was between the second and the third I was eager to see how the writing had progressed, because the potential here simply NEEDS to be fulfilled.

I have very few complaints about the third book, and I’m picky as fuck. At worst, I’d say I saw a few places where the characters did some things, then immediately turned around and explained all those things in detail to another character who wasn’t present, which smacked of bad editing. The plot maybe had some contrivances you could bitch about if you wanted to, but I chose not to because I could see the purpose of them.

It actually felt more like two books in one, which I’m not sure I like all that much. It’s got the time-skip stuff again which I disliked in the first books, skipping back and forth from the past and the present, but in previous books that mechanism was used to show the characters acquiring an item or skill which was then presented in the present, and it felt a little contrived. In this book, the past story and the present story are running parallel, and I kept waiting for them to converge and it never really did. The two timelines merely exist to show the relationship of Locke and Sabetha developing side by side. I think it works, but I would have been equally satisfied with two distinct books, and less distracted besides.

I also noticed a couple exposition dumps that I felt could have been handled a little better because I started drifting off in the middle of them, but I feel that’s a victim of the two timelines. You get invested in one story and then blam, dropped into an exposition dump for the other and you’re all “I don’t give a shit about this, I want to know what happens next in the OTHER story” and you end up skimming, which is bad for the story as a whole. I also felt like I didn’t really need to sit through everyone rehearsing their lines for the play, but maybe I started skimming and missed the point.

I think that’s the extent of my bitching. The characters were fantastic, the banter was fantastic, and I burned through it until I had eyestrain. Be warned, though, if you’re not already invested in the characters, you might find it hard to get into. I loved it BECAUSE I love the characters. The fact that the plots took a backseat to character development became an asset BECAUSE I love the characters. If you haven’t reached that level of commitment to the characters, you might be a little annoyed.

I don’t normally like to draw comparisons to other works, but the plot actually really reminded me a lot of Night Circus by Erin Morgenstern, in that it was a battle of wits between two forbidden(ish) lovers. In Night Circus, the “battles” were fantastic displays of magic which were very pretty to describe but ultimately made no fucking sense because they never opposed each other, and that was kind of dumb. Locke and Sabetha oppose the shit out of each other with non-stop displays of wit and connivery and it is awesome. I think the snake rebuttal was where I decided it would probably get a five even if it went off the rails at the end.

I’m a little surprised at the sheer hate I see for Sabetha in some of the other reviews.  I suppose that’s the risk of leaving a character shrouded in mystery for two books—people will make their own expectations, and you will never, ever, live up to them. She’s a character driven by pride, which can be a little hard to swallow for some, but all of her motivations seemed logical to me. A little more communication would certainly help matters, but there are pretty clear explanations for most of those difficulties too.  She’s essentially a femme fatale who is not entirely defined by the male protagonist, and I enjoyed that.

I was a little annoyed that
WARNING: SPOILERS:
Sabetha fucks off at the end, because I was hoping she would stick around and properly join the team and we could watch her and Locke bounce ideas off each other rather than maintaining the status-quo for the series, but I remain optimistic she’ll return for the next book and not just vanish safely out of plot’s way for awhile, because that would be lame, especially with the ambiguous nature of her departure, which I am hoping will be revealed as a little bit deeper than seeing a painting by someone who she in no way trusted and getting butthurt about imagined implications. She showed herself to be more mature than that in her older years (if not, perhaps, her younger ones…) and there are few things I dislike more than the “I am not telling you why I’m doing this because I need to PROTECT you but gosh if only we had communicated a bit we could have solved all this shit by now huh?” trope.

And now I join the ranks waiting for the next book, I suppose.

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About tagracat
I am not a professional, I don't get paid to review shit, I am just opinionated and I seem to have some sort of disorder that results in spewing my opinions onto the internet. I enjoy writing long-winded posts about things and sometimes I like to pretend people want to read them, so a blog seemed an appropriate place to stuff it. But mostly I just like writing about things.

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