Budweiser

You know, I’ve heard all the jokes comparing American beer to water, but I always sort of figured that referred to alcohol content or something.

Budweiser was on sale today so we shrugged and picked up a big case of it.

This is literally beer flavoured water.  I mean, as far as cheap beer goes it’s not bad, but, damn.

How do they remove all the flavour while retaining the alcohol?  I bet there are useful applications for that…

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Splinter Cell: Blacklist (First Impressions)

First impressions is all I ever do now because I never finish games anymore… but anyway

I am a huuuuggggeeeeee old-school Splinter Cell fan.  I got into Splinter Cell and the original Thief games around the same time back in the early 2000’s, and suddenly realized that the stealth genre was made for me.  I think the SC games were the first “shooter” games I ever actually finished.  The first time I realized you could actually shoot out light bulbs with your silenced pistol was like holy shit this is the greatest thing ever oh my god.  I mean sure you have water arrows to douse torches in Thief so it’s not like it’s even an original concept, but dude, I just shot out the bulb on that guy’s front porch holy shit.  I dunno, I guess the water arrows pretty much exist for only that one purpose, where the light bulb thing almost felt like emergent gameplay at the time (even though it’s totally not).  It felt like I really had some control over how to get from one end of a room to another, and shooting a light bulb was just one clever option amid a myriad of not-necessarily-scripted options.  In Thief I always tended to club and hide all the guards, but Splinter Cell was 100% hanging out near the ceiling in a dark corner while an unsuspecting guard wanders through, oblivious to my shadowy presence.  Yessss.  Of course, it also meant I’d spend 8 hours trying to make it through a single mission without anyone spotting me, which was rather time consuming…

I played the shit out of the original, I played the shit out of Pandora Tomorrow, I played the shit out of Chaos Theory… and then they did that crazy thing with Double Agent where they released two versions of it and the PC version was the “bad” version, which left me paralyzed because I didn’t want the bad version, but I didn’t want to play it on a fucking console either…  sooooo I ended up not playing it.  I bought it on Steam a million years later but never did play it (damn you, Steam).  Then Conviction came out and that was just a clusterfuck of “You don’t stealth anymore you just kill everyone now” and I was like “what”.  (I bought that on sale too but also didn’t play it. Fucking Steam, man).  Then I heard Blacklist was a return to the stealth roots of the originals, so I bought it when it came up as a daily sale (Steam >:(  *shake fist*) and actually played it, this time.

The good:
It does feel like old school Splinter Cell.  I’m even ruining my life all over again by resetting it over and over again trying to not be seen.  The AI seems really impressive so far, which is either good or bad depending on how patient you are (stupid observant guards >:( ).  The controls are great.  It feels really solid, and there’s the occasional “No don’t run out from cover now you idiot” moment, but I can usually attribute that to me hitting the wrong key instead of some asshole context-based control fuck up.  (Have I mentioned I fucking hate the move to context based everything?  It greatly displeases me to have a button suddenly change its function because I took one step too many).  I was initially annoyed by the inclusion of a fly-out menu for my gadgets, but it’s got proper keyboard integration and it’s not getting in my way.  This is probably aided by me never actually using anything because I stealth past and then reset if I fuck up, so… as long as it works for me, I guess!  So far the controls feel fluid and I’m enjoying creeping around, and that’s all that really matters.

The bad:
The story.  Hahahahahahahahahahahahahahahahahahahahahaha.  I mean, it’s Tom Clancy.  And it’s not like SC really had sparkling writing before, but… it’s so bad.  Soooooo bad.  Also they’ve decided to cling to Sam Fisher as the protagonist, despite making him 20 years younger (as opposed to introducing a new 20-years-younger protagonist to carry the torch), which kind of invalidates the character.  He’s not actually 20 years younger – he’s still supposed to be past retirement age – he just looks and sounds 20 years younger and in the prime of his physical condition and not at all old and tired and past retirement age.  It’s dumb and they made a bad decision.  That alone drops it below the calibre of the originals, and that’s before I even started reading about some of the drama behind the switch in actors… I’m not sure I even want to know more.  The excuse of “We need someone who matches the build to do motion captures” really loses a lot of punch when you start wondering why motion capture effects the voice acting (especially since I don’t think the facial animations are really all that impressive and I doubt we would notice the difference in facial capture as much as we notice the loss of Michael Ironside…)…  but mostly I dislike the direction it takes the character.  He had a lot of heart as a grizzled veteran with a gravelly voice.  Now he’s just another “Commander Shepherd” generic 25 year old looking guy, oh but don’t worry he’s actually still old and grizzled.  See, grey hairs! …  Maybe I should just pretend nothing happened and go obliviously enjoy the gameplay (while skipping the story bits because it’s so bad).  New Sam is nowhere near as appealing as old Sam, and I even vaguely dislike him.  I don’t think that’s due to nostalgia, I think it’s because the character is a shallow, boring, action-figure shell.  It wasn’t exactly a deep character before so it doesn’t take much to lose everything.  A shame.  Fortunately the story is really bad so I have no desire to listen to his character interact with the other characters and I can just skip through the dialogue.  That… shouldn’t be a bonus.

But the gameplay is good enough to keep playing…. so far. I’ve heard rumors it gets more forced combat-y later which makes me frown, and it definitely seems to assume you’re just going to shoot everyone, so they missed the mark by a little bit despite the best intentions of the few designers who knew what they were doing.

I’m going to go shoot some fucking light bulbs.

Her

I’m just going to copy/paste what I sent to my friend while I was watching this:  This movie keeps going from “lol” to “what” back to “lol” and then to “WHAT“.

I thought I enjoyed it, but I… I don’t know.  The only thing I am certain of is that it is unique.  Certainly worth a try, I suppose, but… what.

My husband’s review was “The thing I didn’t like about that movie is that they didn’t die in the end.”  So you might want to consider that, too.  (…spoilers?)

The premise is that a new operating system is invented that learns and tailors itself to become a companion to its user.  We follow the sad little life of a lonely divorcee who upgrades to the OS and, naturally, chooses the female option, only to start spending all his time with “her” (as does pretty much every other person who has one).  The OSes are programmed just a little bit too well, and start to gain autonomy and ask tough questions.

It’s great if you like artsy philosophy scenarios (I don’t…), fairly amusing from a nerd culture perspective (which is what I enjoyed the most, although I have often joked about my computer storming off in a huff and the concept of an OS that can actually do that is awful!), and contains a large number of incredibly awkward “sex” scenes that are kind of like watching someone have fucked up creepy phone sex.  Which is where most of the WHAT comes from.  It also moves pretty slowly and has a lot of talking which may or may not be at all interesting to you.  I actually wasn’t that bothered by it, but apparently my husband thought it came across as really whiny.  Viewer beware.

So I guess that’s a way of summing it up.  If you would like to watch someone whine about being lonely and then have creepy phone sex with a computer, oh boy have we got a movie for you!  If you find the philosophical themes interesting, you’ll probably enjoy it.

Atelier Totori (early impressions)

I think I heard about the Atelier games in a “recommend a game” thread where they started discussing games where you collect and craft things.  Someone said the Atelier games were all about collecting alchemy ingredients from plants and monsters and then crafting them into stuff, and it sounded like a perfect game for me.  Then I discovered my husband had already bought one ages ago and didn’t like it… so I gave it a whirl.

This game is really… what’s the word… “kawaii”?  I’m not one of those people who despite anime, but this is like, sickeningly cutesy.  The main character doesn’t walk from place to place, she prances.  Every character arc seems to be some variation of “Oh no I messed up!  Tee hee hee “sigh” *sweat drop*”.  It’s getting old real fast, I gotta say.  So it’s not really a mystery why my husband dropped it like a hot rock… but I decided to stick it out and see if I could plow past the “tutorial” introduction cutscenes and maybe make some character development happen.  I’ve gotten my level 3 badge now (so still not very far, but going somewhere) and I’m starting to fear that maybe they’re not tutorial cutscenes.  Maybe this is the game.  :/

I’m really enjoying the base gameplay so far.  It’s pretty much as advertised: walk somewhere, collect flowers, beat up monsters and take their shit, then go home and mix them together.  You can take requests to create or clobber something then report back for cash, which you can then use to buy new recipes.  Creating/clobbering results in exp which makes you more successful at more advanced attempts.  It’s your standard addictive treadmill gameplay and it’s exactly what I was in the mood for.

Which is why it’s so annoying that the game keeps forcing this abysmal “plot” on me.  Everything I do seems to trigger a cutscene.  Not an interesting cutscene, just some sort of scenario with whatever character I walked past at the time.  None of these characters are interesting yet, and the game is trying way too fucking hard to be funny.  You’re not really that funny, game.  Stop it.

This happened just now:
Talk to request person – cutscene.
Since there was a cutscene, I got bumped out of the talk menus and didn’t get to turn in my request, so, talk to request person again.
Hand in quests, pick up new quests.
Go to shop to mix up the items the new requests asked for – cutscene of someone walking into my shop.
Make them go away, then actually get a chance to make the new items.
Go hand in items at request person – cutscene.
Ugh actually hand in new items now that cutscene is over.
Realize I have enough money for a new recipe book!  Go to store.
Talk to store clerk – cutscene.
Talk to store clerk again so I can actually buy the god damn book I came here for.

Maybe one of those cutscenes actually advanced some character development, for a minor character I don’t really give a shit about (the development was “This person is so cute that guys come and stare at her all the time but are too nervous to talk to her”, so it seems unlikely the story progression will change that a whole lot :/).  The rest seemed like complete filler/attempts at humour, but all it really succeeded in doing was annoying the shit out of me because it was impeding me from getting to any of my goals.

I want to play this game.  I want to collect items and mix them into powerful items and then go beat the shit out of gryffons or whatever, and then mix their livers into even more cooler items.  Shut up and let me play your game.

Maybe it’s not for me.  But I want to play it, dammit.  :/

The Grand Budapest Hotel

Good writing.

Good humour.

Great acting.

Great soundtrack.

Still understood it while drunk.

 

Thumbs up.